Still ain’t no Ellenshaw . . .
Posted by Chris Taylor on March 30, 2009
. . . but this will have to do and should suffice for LVJ. So after a few days of painting the image up with detail and lighting effects in Photoshop, it’s ready for comping in with some of the live action shot against bluescreen.
The matte painting is one of a few that feature in the ‘hanger shootout sequence’ as backgrounds to the live action foreground. There’s about 90 shots in the sequence and this background is used in about 50% of them.
Here’s a couple of stills from two of the shots from the sequence and a version of the matte painting.
